FX5 Cinema Line Full-frame camera

Lighting the Way Forward

Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.

5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude

The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

BIONZ XR2™ with integrated AI processing for enhanced shooting support

The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation and more. Its integrated AI processing supports advanced subject recognition

1. Available subject settings are: Human, Animal/Bird, Animal, Bird. Subject types other than the type specified may be erroneously recognised in some cases.

Open Gate

1. Open Gate recording is only available for X-OCN recording.

and other image scan modes

1. With Dual Gain Shooting, frame rates up to 30p are supported for FF 5K 3:2, and up to 60p for FF 5K 16:9/17:9.

The FX5 offers full-frame Open Gate recording

1. Open Gate recording is only available for X-OCN recording.

Internal X-OCN compressed RAW video recording

Capture 16-bit scene-linear X-OCN internally

1. For X-OCN details,see:https://pro.sony/technology/recording-formats/technology-xocn
2. Lens distortion correction is not applied to X-OCN clips recorded in-camera. When using Sony or licensed partner E-mount lenses, lens distortion correction can be applied in Catalyst Browse, Catalyst Prepare, or Catalyst Prepare Plugin using embedded lens metadata. Clip preview support for lens distortion correction will be added in a future update. For licensed partner information, see: https://support.d-imaging.sony.co.jp/www/e_mount/licensee/?id=portal
3. During shooting, lens distortion correction is applied to the image displayed on the camera’s LCD monitor and to the video output via HDMI. However, lens distortion correction is not reflected during clip preview. As a result, the appearance of distortion may differ between shooting and clip preview.

Wide 15+ stop latitude

1. Based on Sony tests when shooting in S-Log 3.

with low noise

Wide 15+ stop latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, so scenes retain a more convincing sense of depth and mood while giving you footage that is easier and more flexible to grade.

Three Base ISO settings for effective noise control in any environment

Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800

1. With Dual Gain Shooting, frame rates up to 30p are supported for FF 5K 3:2, and up to 60p for FF 5K 16:9/17:9.

Dual Gain Shooting debuts in the Cinema Line FX camera series

1. As of the July 2026 product announcement. Survey of Sony digital cameras.

Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details

1. Maximum gain is 18 dB (equivalent). Availability will depend on recording settings.

High-frame-rate capture, including 5K at up to 120 fps

1. When recording X-OCN (C2) to a CFexpress Type A memory card.
2. 5K (3:2) X-OCN 120 fps and 4K 240 fps recording will require a future firmware update.

High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps

1. 5K (3:2) X-OCN 120 fps and 4K 240 fps recording will require a future firmware update.

Precise, reliable AF and tracking with AI-based subject recognition

With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal and bird eyes (Real-time Eye AF)

1. Available subject settings are: Human, Animal/Bird, Animal, Bird. Subject types other than the type specified may be erroneously recognised in some cases.

Built-in de-squeeze for anamorphic shooting

Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

Deep learning-based illumination estimation

Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.

S-Cinetone™ for a refined cinematic look

S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

Wide-gamut colour for more grading control

With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots. Smooth tonal expression and stable colour reproduction also help you achieve the intended look with greater accuracy.

Three S-Log3 modes for flexible workflows

From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO

1. X-OCN recording is only available in Cine-EI mode.

Lightweight, compact design for agility on set

The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.

5-axis stabilisation for steadier handheld shooting

A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake

1. Compared to the FX3.

High-quality 96 kHz / 32bit float audio recording

The XLR handle unit

1. The XLR-H1 Handle Unit is not supported; use the XLR-H2 Handle Unit included with the camera (ILME-FX5) or sold separately. A microphone is not included with the XLR-H2 Handle Unit. This unit is not compatible with the ILME-FX3, ILME-FX3A, ILME-FX30, or ILME-FX2, and cannot be used simultaneously with the OLED viewfinder. For compatible microphones, see:https://www.sony.net/dics/mic_cmpt/.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring

Add the optional OLED viewfinder

1. The OLED viewfinder unit cannot be used simultaneously with accessories that require the Multi Interface (MI) Shoe™.

3.5-type monitor with 4-axis multi-angle design

The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open

1. Monitor rotation angle may be limited when cables are connected to the camera. Do not use excessive force when opening or rotating the monitor.

BIG6 (HOME) screen for faster on-set control

Inherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.

Monitoring support for precise shooting

Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.

1. Focus Map and False Color cannot be displayed simultaneously.

Movie-first menus and controls

From menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.

Clear tally visibility

Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.

Clear Image Zoom for smoother, more intuitive framing

Clear Image Zoom adds a [Smooth Priority] mode

1. [Smooth Priority] mode does not support prime lenses and some zoom lenses.

Dual CFexpress Type A/SD card slots for flexible media workflows

Dual CFexpress Type A

1. CFexpress 4 memory cards are not supported. If a CFexpress 4 card is inserted, it will be recognised and treated as a CFexpress 2 card. CFexpress Type B memory cards are not supported.

Power that keeps pace with long shoots

A high-capacity 2670 mAh NP-SA100

1. https://www.sony.co.uk/electronics/interchangeable-lens-cameras-batteries-chargers/np-sa100

Durable, sealed body design

Refinements throughout maximise dust and moisture resistance for high reliability in demanding conditions.

1. Not guaranteed to be 100% dust and moisture proof.

Cooling designed for uninterrupted 170 minutes

1. Not guaranteed to be 100% dust and moisture proof.

of recording

An efficient fan cooling system and advanced design deliver up to 3x

1. At maximum fan speed. Compared to the FX3.

Flexible mounting points

1. Accessory screw holes are 1/4-20 UNC standard. Use screws with a maximum length of 5.5 mm.

Five screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.

Monitor & Control for remote operation from mobile devices

With the Monitor & Control app, a smartphone, tablet or Mac becomes a flexible second screen for monitoring, camera settings and operation. It is a simple way to extend control for solo shooting, compact rigs, and other productions where flexible remote operation is useful.

Catalyst Prepare and Catalyst Prepare Plugin

Catalyst Prepare and Catalyst Prepare Plugin use camera metadata for fast shot review and correction. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilisation, lens breathing compensation, colour/LUT tools and transcoded export.

Flexible monitoring, power and timecode connections

The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.

1. TC-IN is supported via USB PORT 2 only. For Timecode Adapter Cable details, see: https://www.sony.co.uk/electronics/interchangeable-lens-cameras-other-accessories/vmc-bncu1. PORT 1 supports SuperSpeed USB 10Gbps. PORT 2 provides Hi-Speed USB 480Mbps (USB 2.0) data transfer when connected to a computer.

Wired and wireless LAN connectivity for remote workflows

High-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 / 5 / 2.4 GHz bands

1. 5 GHz / 6 GHz communication may be restricted in some countries and regions.

Accessibility features for more creators

Screen reader

1. Availability varies depending on region and language.

Recycled materials in Cameras

At Sony, our Road to Zero plan

1. For Sony’s environmental activities, refer to: https://www.sony.co.uk/electronics/eco/sustainable-development

Non-plastic packaging materials

Sony is working towards the use of non-plastic packaging materials

1. Not including materials used in coatings and adhesives.

Planned post-launch support

Updates are planned to add support for HFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in a 3:2 aspect ratio with full-sensor readout, an optimised user interface for vertical shooting, and a frame grab function.