As a filmmaker who spends more time on the move than in the studio, I'm always looking for gear that keeps up with my creative rhythm. I direct and shoot a mix of commercial work, branded content, and passion projects that range from stylised car shoots to fast-paced sports action and cinematic travel storytelling. The new Sony FX2 felt like it was designed for exactly that kind of creator. From the first moment I held it, I could tell this camera was built for speed, flexibility, and image precision without compromise.

Creative Vision & Inspiration

This short film project was born out of my love for variety and movement - not just in visuals, but in life. I wanted to create a piece that showcased three different genres: Speed, Sport, and Travel. Each segment allowed me to push the FX2 in a real-world setting and see how it performed when the pace picked up or the conditions got tough.

The film opens with a cinematic car shoot - a classic Porsche captured with intention and control, where lighting setups mattered, and precision was key. From there, I shift into a more documentary style while filming an individual training session with the Vienna Vikings – one of the most successful American football teams in Europe – capturing the intensity, motion, and focus that define the sport. Finally, the travel segment took me to Lisbon, where I filmed alone, capturing spontaneous, emotional moments from an exciting journey.

The common thread throughout was movement - and the FX2 never missed a beat.

From Concept to Set

The idea evolved quickly once I had the FX2 in hand. Its compact size, powerful stabilisation, and reliable autofocus opened up options that I usually associate with bulkier cinema cameras or setups that require a crew. The gear actually influenced the creative direction - knowing I could move fast and light gave me the confidence to chase ideas I might’ve otherwise dropped for logistical reasons.

The biggest challenge was transitioning between three entirely different shooting scenarios, each requiring a unique approach. But that’s also where the FX2 shined. The intuitive ergonomics, especially the balance and low weight, allowed me to move effortlessly between tripod setups, handheld shots, and even capturing moments while on the move. And the fact that I could pull stills during video - even in Log - was an unexpected bonus to use pictures as often needed thumbnails.

Working with the Sony FX2

A few features really stood out during this production. First, the blazing fast autofocus - during the football training, I was able to track unpredictable movement even in rapidly changing conditions, and the focus never let me down. Second, the dynamic active stabilization gave me gimbal-like smoothness in run-and-gun shots, especially during the tracking shots of the car scenes where I didn’t have time or space to rig anything.

One underrated aspect: the EVF. Being able to operate without an external monitor made the entire rig lighter and more agile. For someone shooting in dynamic environments, this matters more than people think. I also used the Monitor & Control App on a tablet for remote focusing during car shots, which was surprisingly seamless.

Technical & Cinematic Approach

My go-to lens combo for this project included the FE 24–70mm f/2.8 GM II, the FE 16mm f/1.8 G, and the FE 35mm f/1.4 GM. I shot entirely without any additional accessories - no cage, no monitor - simply because the FX2 is that ergonomic. The improved EVF played a big role in that, making it incredibly easy to frame and operate even in dynamic situations.

There were several shots I simply couldn’t have pulled off with a bulkier setup. For instance, handheld tracking shots around the car at golden hour, or quickly reacting to fast movements during the individual football training while staying mobile and stable.

The image quality and colour science gave me the look I wanted. Skin tones were clean, dynamic range handled tough lighting well, and the footage was incredibly gradable. It felt like a true cinema tool, just without the usual weight and setup demands.

Artistry & Audience

What I hope people take away from this film is that storytelling doesn’t have to wait for the perfect setup or the biggest crew. With a camera like the FX2, creativity becomes more spontaneous, more mobile, and ultimately, more personal.

Tools like the FX2 are reshaping what’s possible for solo creators and small teams. They blur the line between professional cinema gear and travel-friendly tech - and that’s a game-changer. For independent filmmakers, commercial content creators, and anyone shooting short-form for platforms beyond the cinema, this is a powerful entry point.