Fine Art Landscapes

İlhan Eroğlu

With a background in Fine Arts, it is perhaps no surprise that Turkish photographer Ilhan Eroglu’s images look like grand classical paintings. Sweeping vistas, dramatic light and rich colours all help Ilhan to transform our world and take us to another place.

For Ilhan, it was a combination of his passions that led to him becoming a photographer, and these passions also enable him to capture such stunning images.

ilhan eroglu sony alpha 7R III solitary man standing on a rock gazing across a still lake with mountains in the distance

© Ilhan Eroglu | Sony α7R III + FE 12-24mm f/4 G | 1/160s @ f/6.3, ISO 100

His love of adventure and discovering new places has taken Ilhan all around the world, enabling him to create a unique set of photographs covering all corners of the globe. From the heat and sand dunes of the Sahara Desert, to the snowcapped mountain peaks of Chile, Ilhan captures them in his own unique style.

Of all the places in the world that Ilhan has visited however, the one that stands out the most for him is Mount Bromo in Indonesia.

It was like stepping in to another world. Walking up on to the crater, seeing smoke rise up from the mouth of the volcano - it was just magical.”

ilhan eroglu sony alpha 7R mont st michel through the mist with birds flying above

© Ilhan Eroglu | Sony α7R + FE 70-400mm f/4-5.6 G SSM II | 1/160s @ f/4.5, ISO 100

But not all of Ilhan’s travels are far from his native Turkey. Many of his most loved images are taken much closer to home in popular tourist spots in Europe, ranging from the canaled streets of Venice, to the magical Mont St. Michel, to the sleepy lavender fields in Provence.

What makes Ilhan’s images stand out and give them such a distinct style is his painterly eye for spotting a classical composition and of course, colour and light.

ilhan eroglu sony alpha 7R III stunning mountain with mist at its base reflected in a still pool

© Ilhan Eroglu | Sony α7R III + FE 16-35mm f/2.8 GM | 1/320s @ f/16, ISO 100

It may be his passion for art that inspired Ilhan’s photography, but like all other landscape photographers, he still needs mother nature and a lot of patience to make sure that the light is perfect for the scene.

“Weather is very important, but for me, it doesn’t matter if the scene is rainy, or sunny, snowy or cloudy - there is not an advantage or disadvantage to any of these. All of these weather conditions just give you a variety of different ways to capture the perfect photograph, but what’s important is to know exactly how to capture it.”

“As a landscape photographer,” he continues, “the light is what makes the difference. I love the power of natural light to completely transform a location. My favourite is in the autumn after a rainy night – the next morning the golden hue at sunrise is unmissable.”

ilhan eroglu sony alpha 7R III wild horses running through the sea with the sun setting behind

© Ilhan Eroglu | Sony α7R III + FE 70-200mm f/2.8 GM OSS + 1.4x Converter | 1/1000s @ f/7.1, ISO 640

Whilst his photos may not look like more conventional landscape images in terms of light and colour, Ilhan’s philosophy about the best time to take images is very much in keeping with others in the field.

“I don’t like to take photos in the middle of the day when the sun is high and the light is very hard. I prefer to take photos at sunrise and sunset when the light is soft and full of colour.”

Accompanying Ilhan on his travels is the Sony α7R III. “For me, the α7R III is the perfect piece of kit for a landscape photographer,” he explains. “Its 42.4 megapixels mean that the resolution is incredible, and gives me exactly what I need to clearly capture the intricate details of the scene in front of me.”

ilhan eroglu sony alpha 7R II picturesque cottage in mountainous landscape with dramatic clouds

© Ilhan Eroglu | Sony α7R II + FE 24-70mm f/2.8 GM | 1/60s @ f/8.0, ISO 100

The dynamic range of the α7R III’s sensor also plays a big role in Ilhan’s work, enabling him to capture the whole range of light and colour, without compromising the quality of the final image.

“When shooting at sunrise or sunset,” Ilhan explains, “I use the camera’s Dynamic Range Optimisation (DRO) settings. These help me to get the most detail from the highlights and shadows. If the light in the sky is particularly bright, I will also use a 0.6 strength graduated neutral density filter to darken it down a little, to blend it with the landscape.”

ilhan eroglu sony alpha 7R III hazy mountains sit above a mist filled valley

© Ilhan Eroglu | Sony α7R III + FE 70-200mm f/2.8 GM OSS | 1/640s @ f/8.0, ISO 100

When it comes to lenses, Ilhan largely uses three G Master zoom lenses, the FE 16-35mm f/2.8, the FE 24-70mm f/2.8 and the FE 70-200mm f/2.8. These three lenses provide him with every focal length from 16mm all the way to 200mm, meaning he can capture everything from wide angle images with objects in the foreground, to telephoto lenses that pick out mountains and castles surrounded by the morning fog and mist.

Despite his travels Ilhan isn’t done exploring yet, with many exciting journeys and adventures planned, including visiting Japan to witness and photograph the famous cherry blossoms. “It’s not my first time visiting Japan, however I’m excited to discover more about the Japanese culture and nature. In particular, I can’t wait to photograph the breathtaking colours of the Sakura Season.”

Products featured in this article
α7R III 35mm full-frame camera with autofocus
α7R II with back-illuminated full-frame image sensor
α7R E-mount Camera with Full Frame Sensor
1.4x Teleconverter Lens
FE 12-24mm F4 G
FE 16-35mm F2.8 GM
FE 70-200mm F2.8 GM OSS
FE 24-70mm F2.8 GM
70–400mm F4–5.6 G SSM II
İlhan Eroğlu
Alpha Universe

İlhan Eroğlu


The world is a huge canvas for me. In every country I visit, I paint my own pictures by taking photos.

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