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Compare and contrast: 4K HDR on test with the F55

Film-maker Christian Kühn collaborated with post production specialists Pirates 'N Paradise on a unique demonstration of end-to-end 4K HDR workflow – from shooting in X-OCN and RAW with the PMW-F55 CineAlta camera and R7 recorder through to colour grading and display.

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Spot the difference: Peter Spans puts X-OCN on test Spot the difference: Peter Spans puts X-OCN on test

German film-maker Peter Spans put our high-quality X-OCN ST and LT formats to the test. Shooting short film ‘Nilly & Nally’ with our F55 CineAlta camera and R7 recorder, Peter wanted to see if there’s any visible difference compared with RAW.

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Sony Entertainment Television India adapted XAVC as in-house format for HD transmission Sony Entertainment Television India adapted XAVC as in-house format for HD transmission

Part of Sony Picture Network India, Sony Entertainment Television has adapted XAVC as their in-house format in order to provide quality content to viewers and to have seamless production workflow.

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U2 iNNOCENCE + eXPERIENCE Live in Paris U2 iNNOCENCE + eXPERIENCE Live in Paris

"First, I was blown away, then, I almost had a panic attack right there, because what I was seeing was almost unshootable."

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Billy Lynn's Long Halftime Walk Billy Lynn's Long Halftime Walk

Go behind the scenes on the world's first 120p 4K 3D feature film

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R7 talk: Peter Spans shoots with CineAlta

Hamburg-based filmmaker Peter Spans shares the creative experience of shooting 16-bit F55 RAW with our F55 CineAlta camera and the new R7 external memory recorder.

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Documentary Les Pépites shot with F55

Jérôme Krumenacker explains why the PMW-F55 is a beautiful introduction to the world of 4K.

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