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Grab and Shoot
with handheld Super 35

A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal agility. And a handheld camera should function beautifully against your chest, comfortably steadied by your right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.

Ultimate mobility

The FS5 is a radical new design for unsurpassed on the go shooting in the most demanding of conditions. With a body-only weight less than half the FS7 at 0.8kg, you can shoot almost anywhere.Handheld operation is simply exceptional as the superbly balanced chassis is easily configured to shoot from high to low angles thanks to a flexible, rotatable grip and a LCD viewfinder that can be mounted in no less than nine locations. And as you’d expect from Sony, to provide complete control over lighting in fast moving situations, we invented the first built-in electronic Variable ND Filter for a Super35mm camcorder.

Adaptable design

When you’re in the field, you don’t want to lose time or miss any opportunity. The FS5 allows you to quickly add or remove components such as the grip and LCD viewfinder without special tools, while standard ¼-inch screw holes support mounting on a drone, gimbal or in a underwater housing.


α mount flexibility

Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS5 makes it easy.

You can also purchase the FS5 on its own (PXW-FS5) or with lens (PXW-FS5K).

Weighing only 427g, the SELP18105G is an ideal partner for the FS5 delivering stunning imagery with a 6x power zoom which is easily adjusted by a zoom lever on the camera’s grip and handle.

Maximum aperture is a constant F4 from 18mm to 105mm, with excellent resolution and contrast throughout.

A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

SELP18105G is supplied as standard with PXW-FS5K.


Handheld 4K at 100Mbps

When quality is everything, make the most of the FS5’s Super 35 Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony's advanced XAVC (Long GOP) recording system. You can optionally record 4K 60p/50p, 30p/25p, 24p RAW by attaching the AXS-R5 RAW recorder with the HXR-IFR5 interface unit*. If you need a fast turnaround, switch to Full-HD (1920x1080) recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The FS5 has the flexibility to suit how you need to work, today and tomorrow.

* Requires Version 2.0 firmware or above, plus paid-for CBKZ-FS5RIF upgrade kit.


240fps slow motion

High Frame Rate shots can turn everyday actions into slow-motion ballet and the FS5 delivers a stunning 240 frames per second (fps) in Full HD XAVC 10bit 4:2:2. If your project plays at the cinematic 24p, you get beautiful 10x Super Slow Motion. There's no sacrifice in bit depth and no "windowing" of the sensor. So there's no crop factor, no loss in angle of view.

More information

Lightweight but robust

Despite its amazingly light 0.8kg body, the FS5 is more than tough enough for the rigors of real-world shooting. The main frame is magnesium, for high rigidity and light weight. Cooling is an urgent requirement in a 4K camera, all the more so in a camera as compact as the FS5. An advanced cooling system design features a vertical heat sink placed directly beside the image sensor and main circuit board to maximise its effectiveness. An air duct cools the heat sink while isolating the electrical components from exposure to dust.

View the Gallery


Flexible controls

All of the FS5’s key functions are put at your fingertips - from an electronic zoom lever to assignable dials and responsive joystick. Direct Menu options display onscreen, so shooting parameters can be changed quickly and conveniently without taking your eyes off the action. You can select your audio source to output to the left or right channel of your headphones (requires Version 2.0 firmware or above). The smart grip is located as close as possible to the centre of gravity of the camera to avoid rolling, while a grip belt makes your hold completely secure. To adjust the smart grip’s angle, you only need to press one button and turn. Detaching the grip is made fast and simple with a bayonet connection.

Versatile monitoring

However you want to shoot, the FS5 adapts to fit your style. Its 3.5-inch LCD screen can be attached in no less than nine different locations, three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted – for example either beside the camera body or directly along the axis of the lens.


Modular design for easy integration

The FS5 is designed to be taken apart quickly and easily, with no need for custom tools. There are also ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in a underwater housing. For tripod mounting, there’s a 3/8-inch screw hole on the bottom. You can even add the FS7’s rosette mount* to securely attach an FS7 arm and compatible third-party accessories.

* Rosette mount component available from Sony service centres.

Networked for high mobility

Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN.

Control FS5 from your smartphone or tablet.

Built-in NFC supports one-touch authentication possible with appropriate devices

Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content.

GPS function automatically records GPS data (requires Version 2.0 firmware or above).


4K Super 35 Exmor® sensor

The FS5 is built around a high-sensitivity 4K Super35 "Exmor" CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and Super Slow Motion.


4K resolution 11.6 million total pixels and 8.8 million effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.

Super 35 size sensor offers "bokeh," the defocused backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.

14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.

Exceptional sensitivity enables you to shoot well after sunset, without tons of lighting and grip.

Sony’s Exmor CMOS design provides high-speed full-pixel read- out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimized.

High Frame Rate (HFR) recording

The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. The 8-second cache recording means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. It is also possible to record 120 fps with up to 16-second cache recording. Higher frame rates of 480 fps and 960 fps are also possible a specific resolution.

Built-in electronic Variable ND Filters

The FS5 is the world's first Super35mm camcorder with a built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND filters, the electronic ND filter on the FS5 can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto*. This makes the FS5 ideal for fast-moving shoots in changeable environments - there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.
*Sony market research, September 2015.
*Requires Version 2.0 firmware or above.

Clear Image Zoom

This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution Technology can enlarge the image by additional 200%. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.

Centre Scan Mode

To support traditional Super 16mm cinema lenses, the FS5 has a Centre Scan Mode which selectively outputs 2160x1080 from the sensor’s centre. This gives the FS5 all the characteristics of a Super 16mm film camera and avoids any vignetting. It also offers a 2X Digital Extender zoom – effectively doubling your range for HD content.


Accurate OLED viewfinder

A high quality 0.39-inch OLED viewfinder is perfectly offset for right-eye or left-eye viewing OLED’s superb accuracy, high contrast and high resolution (1,440K dot) enables precise manual focus and eliminates any colour-breaking phenomenon.

Dual media slots with independent record control

To extend recording time and workflow flexibility, the FS5 is equipped with two memory card slots. “RELAY” mode automatically switches recording from the first to the second memory card when the first is full, while “SIMUL” mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). The FS5’s three Start/Stop buttons on the grip, handle and camcorder body, can independently start and stop recording on different memory cards while recording in “SIMUL” mode.


Multi-Interface (MI) Shoe

The FS5 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*

*Accessories sold separately. HVL-LBPC light does not draw power from FS5.


Dual XLR inputs

The FS5 has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal.


Beyond changing lenses.
Changing the game.

FS5 belongs to Sony’s α mount system family of cameras with interchangeable lenses, offering unsurpassed compatibility with third-party lenses as well as Sony products. The FS5’s E-mount can take both cinema lenses used in cinematography and SLR lenses from stills photography, as well as Sony’s E-mount and A-mount lenses.

Sony, the lens company

There is no cinematography without lenses. That’s why Sony is a primary manufacturer of high quality lenses. And that’s why we build our own optics, based on our own designs in our own factories. We’re experts at selecting, moulding, polishing and coating the glass elements. We’re accomplished in the rarefied craft of integrating motors and drive systems. And we’re a primary innovator, as demonstrated by these recent advances


Advanced Aspherical Lens Elements

overcome enormous technical hurdles to achieve superlative surface precision. They reduce overall lens size and complexity while achieving extremely high imaging performance.

Sony’s remarkable E-mount Lenses

Traditional SLR lenses were designed exclusively for still images. While the optics may be fine, their behaviour during a motion picture shot can be highly compromised. Motor noise, abrupt zoom, stepped changes in iris, and unwanted magnification during focus can all take your audience out of the story. Sony’s E-mount lenses are different.

The PXW-FS5 accepts the growing range of Sony E-mount lenses (foreground), currently featuring over 20 models. Using Sony LA-EA3 and LA-EA4 adapters, sold separately (centre), the camera also accepts Sony’s range of over 30 A-mount lenses (background).

Smooth power zoom

Sony combined professional camera expertise with state-of-the-art lens design and control to deliver exceptionally smooth tracking. Zooming is quiet as well as responsive thanks to advanced mechanisms and actuators. And Sony tests each lens individually to ensure high performance in every unit.


Background bokeh (defocusing) can be just as important in movies as it is in still images. Sony's well designed aperture contributes to smooth, beautiful bokeh with natural highlights. Iris noise can also be an issue in motion pictures. That’s why Sony incorporates uncommonly quiet, accurate and responsive iris control and actuator systems.


When making movies, you’re frequently focusing while shooting. A still camera lens can exhibit “focus breathing,” a jarring distraction that varies the angle of view. Sony E-mount lenses feature optical designs and control technology that minimize breathing. Sony's contactless linear motors eliminate gears and mechanical couplings. So focus is fast and quiet. With internal focusing, the front element of the lens does not rotate and the overall length of the lens does not change during focus.

The E-mount servo zooms

Sony extends the E-mount advantage to the maximum with a series of E-mount servo zooms, which include the SELP28135G, SELP18105G and SELP18200. They provide smoother zoom than you could accomplish by hand. Meticulous optical design maintains axial image consistency across the zoom range. Constant aperture eliminates unwanted exposure changes during a zoom.

SELP18105G is supplied as standard with PXW-FS5K.

This 6x zoom lens supports a constant maximum aperture of F4 throughout the zoom range, a powered zoom system with two separate controls, internal focusing and zoom and optical stabilisation.

Sony A-mount lenses,
via adapters

Sony's LA-EA3 and LA-EA4 lens adapters (sold separately) open up a wide range of A-mount lenses for Sony α interchangeable lens cameras . Choose portrait lenses, macro lenses, super telephoto lenses and a host of specialty glass that give you exceptional freedom in framing your shots. You also get extraordinary convenience with focus indication the camera’s viewfinder and aperture control in the camera’s smart grip.

Phase detection AF with the LA-EA4 adapter

Phase detection auto focus helps define the modern SLR, minimizing focus “hunt,” maximizing speed and accuracy. The LA-EA4 A-mount lens adapter, sold separately, brings this fundamental advance to professional moving pictures. You get fast, accurate focus even when the subject is moving quickly. The adapter incorporates Sony's award-winning Translucent Mirror Technology. While most of the incoming light goes to the camera, Sony's translucent mirror continuously directs a fraction of the light to the phase detection AF sensor.


SLR, DSLR and cinema lenses

The E-mount system's short flange-back distance enables use of cinema lenses, plus 35mm SLR and DSLR lenses from others via simple third-party adapters. For amazing creative freedom, you can reach beyond the standard primes and zooms to tilt shift and bellows lenses. Not locked into one type of lens mount or brand, you are free to choose what suits you best.

The right tools for every job

The PXW-FS5 is all about choices. Record internally in 4K or HD. Bend time with High Frame Rate shooting. Choose the latest space-saving XAVC Long GOP or the widely used HD standard AVCHD.

Internal 4K recording

Does a 4K camera make sense in an HD world? Perfect sense. Even if you're not planning on 4K production, the 8.8 megapixels of Sony's 4K image sensor enables you to shoot super-sampled HD, with detail and image texture that HD sensors cannot see. And if you want to record in 4K, the FS5 supports internal recording at frame rates of 23.98, 25 and 29.97fps. The camera is able to record QFHD (3840 x 2160) at 60 or 100 Mbps.

Colour, contrast and the XAVC codec

Today’s productions want more. More resolution with 4K. More frames per second with High Frame Rate recording. Better grayscale with 10-bit precision. Better colour rendition with 4:2:2. And today’s productions want to record it all at money-saving data rates. That’s why Sony created the extraordinarily capable XAVC codec. The XAVC Long GOP version captures Full HD in 10-bit, 4:2:2, at an economical 50 Mbps, 35 Mbps or even 25 Mbps (depending on your frame rate). You can shoot 4K in 4:2:0 at 100Mbps or 60Mbps.

S-Log3 and maximum dynamic range

As the exposure latitude of modern cameras climbs, conventional HD recording systems are hard-pressed to keep pace. That’s why Sony developed S-Log2 and now S-Log3. Sony’s most refined logarithmic gamma mode yet, S-Log3 enables faster, easier colour grading with more levels devoted to shadows and mid-tones for spectacular grayscale rendition. You’ll spend less time “getting into the ballpark,” leaving more time for creativity. Of course, for the S-log2 lover, Sony supports S-log2 gamma for PXW-FS5. Also, you can control brightness levels with two kinds of zebra level settings (requires Version 2.0 firmware or above).

S-Gamut3 and S-Gamut3.cine

The camera features the ample colour space of S-Gamut3 and S-Gamut3.cine. The first reproduces the maximum available colour space, and is well suited to archiving. The second matches well with the Digital Cinema Initiatives (DCI) P3 colour space.

Catalyst Browse

Available as a free Mac OS or Windows® download from Sony Creative Software, Catalyst Browse is a powerful clip management tool which will eventually replace the Sony Content Browser application. While Catalyst Browse offers many new features, not all functions of Content Browser have been duplicated.

Find out more

Catalyst Prepare

Media production is growing more complicated. Turnaround times are getting tighter. You need a tool that eases the workload on your editor, ensuring that projects meet their deadlines. With Catalyst Prepare, a powerful, affordable tool from Sony Creative Software, you can quickly identify the right footage to deliver, in the correct format, with your desired folder and clip-naming structure, even when using a variety of popular cameras. Jumpstart the editing and review process by creating a rough cut storyboard with a quick initial colour grade, then render it out directly or export an EDL for use in popular NLEs.

Find out more

Catalyst Edit

In video, focus is critical. Catalyst Edit focuses on 4K and Sony RAW video editing so you can focus on your creativity. Deliver your most stunning video productions in all the glory you captured through your camera lens.

Find out more

Bookmark this page to keep up-to-date with all the latest news for Sony’s FS5, including the latest videos, behind-the-scenes stories, tutorials and filming tips.

FS5 news, case studies & tutorials

View more

FS5 Design Team

Sony's PXW-FS5 camcorder was developed to be simply the best Super35 handheld camcorder; lightweight but robust and fully featured with superb 4K picture quality. The team reveal how they did it.


Luana Knipfer's first impressions of FS5

“If you’re coming from DSLR cameras, this is a great step up – for corporate films, wedding productions, music videos – or as a powerful B-camera for bigger productions.”


Latest firmware

Extend the capabilities of your Sony professional hardware with the latest firmware.


FS5 Introduction

Discover the FS5's key features in a video tour of the ultimate 4K handheld camcorder.


Technical Specifications

Please be aware that the features/specifications can differ from country to country

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Mass Approx. 830g (Body only)
Approx. 1lb 13.2 oz (Body only)
Approx. 2.2kg (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, LCD viewfinder, handle, grip w/o gripbelt)
Approx. 4lb 14.5 oz (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, LCD viewfinder, handle, grip w/o gripbelt)
Dimensions (W x H x D)* Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts)
Approx. 185.2 x 218.3 x 369.5 mm (with SELP18105G and lens hood[optional], large eyecup, LCD viewfinder, handle, grip w/o grip belt and including the projecting parts)
Approx. 4 1/2 x 5 1/8 x 6 7/8 inches (Body only including the projecting parts)
Approx. 7 3/8 x 8 5/8 x 14 5/8 inches (with SELP18105G and lens hood[optional], large eyecup, LCD viewfinder, handle, grip w/o grip belt and including the projecting parts)
Power Requirements DC 14.4V (battery pack)
DC 12.0V (AC adaptor)
Power Consumption Approx. 11.8W [60i]
Approx. 11.5W [50i]
(while recording with LCD Off, EVF On when the external device connector is not used.)

Approx. 12.6W [60i]
Approx. 12.3W [50i]
(while recording with LCD On, EVF On when the external device connector is used.)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time With battery pack BP-U90: approx. 6 hours, 40 minutes [60i]
approx. 6 hours, 45 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)

With battery pack BP-U60: approx. 4 hours, 15 minutes [60i]
approx. 4 hours, 20 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)

With battery pack BP-U30: approx. 2 hours, 10 minutes [60i]
approx. 2 hours, 10 minute [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
Recording Format (Video) XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile
XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile
AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible
Recording Format (Audio) XAVC : Linear PCM 2ch, 24bit, 48kHz

AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
Recording Frame Rate XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps

XAVC HD (1920 x 1080) @59.94p, 50p, 50Mbps/35Mbps

XAVC HD (1920 x 1080)@59.94i, 50i, 50Mbps/35Mbps/25Mbps

XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p, 50Mbps/35Mbps

XAVC HD (1280 x 720)@59.94p, 50p, 50Mbps

AVCHD (1920 x 1080)@59.94p, 50p, PS mode(28Mbps)

AVCHD (1920 x 1080) @59.94i/50i/29.97p/25p/23.98p,
FX mode (24Mbps)
FH mode(17Mbps)

AVCHD (1280 x 720)@59.94p, 50p,
FX mode(24Mbps)
FH mode(17Mbps)
HQ mode(9Mbps)
Recording/Playback Time XAVC-L QFHD 100 mode
Approx. 65 min with 64 GB memory card

XAVC-L QFHD 60 mode
Approx. 100 min with 64 GB memory card

XAVC-L HD 50 mode
Approx. 120 min with 64 GB memory card

XAVC-L HD 35 mode
Approx. 170 min with 64 GB memory card

XAVC-L HD 25 mode
Approx. 220 min with 64 GB memory card

Recording/Playback Time AVCHD@LPCM 2ch PS Mode
Approx. 290 min with 64 GB memory card
Approx. 145 min with 32 GB memory card

Approx. 340 min with 64 GB memory card
Approx. 170 min with 32 GB memory card

Approx. 450 min with 64 GB memory card
Approx. 225 min with 32 GB memory card

Approx. 590 min with 64 GB memory card
Approx. 290 min with 32 GB memory card


Lens Mount E-mount

Camera Section

Imaging Device (Type) "Exmor" Super35 CMOS Sensor
Effective Picture Elements 3840 (H) x 2160 (V)
Built-in Optical Filters ND filters
1: 1/4ND
2: 1/16ND
3: 1/64ND
Linear variable ND (1/4ND to 1/128ND)
ISO Sensitivity S-Log2/S-log3 Gamma ISO3200
Minimum Illumination 0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
Horizontal Rezolution 1000 TV lines or more (1920 x 1080i mode)
Shutter Speed 1/8 to 1/10000 sec. (60i)
1/6 to 1/10000 sec. (50i/24p)
Slow & Quick Motion Function [30p]:2160p: Frame rate selectable fps

[25p]:2160p: Frame rate selectable fps

[60i]:1080p: Frame rate selectable,60 fps

[50i]: 1080p: Frame rate selectable,50 fps

Super Slow Motion Function [60i] Frame rate selectable
120, 240, 480, 960 fps

[50i] Frame rate selectable
100, 200, 400, 800 fps
White Balance Preset (3200K), Memory A,
Memory B/ATW
Gain 0,3,6,9,12,15,18,24,27,30dB,AGC
Gamma Curve Selectable


Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Video Output Integrated into Multi/Micro USB jack
Audio Output Integrated into Multi/Micro USB jack
SDI Output BNC type (x1), SD/HD/3G (Level-B) selectable
SMTPE 259M/292M/424M/425M standards
USB Multi/Micro USB jack (x1)
Headphone Output Stereo mini jack (x1)
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini jack (Φ2.5 mm)
HDMI Output HDMI connector (Type A)
Wired LAN LAN Terminal


Viewfinder 1.0 cm (0.39 type) OLED Approx. 1.44M dots
LCD 8.8cm (3.5 type) Approx. 1.56M dots

Built-in Microphone

Built-in Microphone Omni-directional stereo electret condenser microphone


Type MS/SD (1), SD (1)


Supported Format IEEE 802.11 b/g/n
Frequency Band 2.4 GHz bandwidth
NFC NFC Forum Type 3 Tag compliant

Supplied Accessories

Supplied Accessories Handle (1)
Grip Remote (1)
LCD viewfinder (1)
Accessory shoe kit (accessory shoe (1), accessory shoe plate (1), screws (4))
USB cable (1)
AC adaptor (1) (AC-UES1230)
Power cord (qty is different for countries)
Wireless remote commander (1) (RMT-845)
LCD Protector (1)
CD-ROM "Manuals for Solid-State Memory Camcorder" (1)
Operating Guide (2)
BP-U30 battery pack (1)
BC-U1 battery charger (1)
Large eyecup (1)

General Notes

Note *1 The values for dimensions are approximate.

Related Accessories

  • BC-U1


    Battery charger/AC adaptor for BP-U90/U60/U30 Lithium-ion battery
  • BC-U2


    Two-channel simultaneous battery charger/AC adaptor for BP-U90/U60/U30 Lithium-ion battery
  • BP-U30


    Lithium-ion Battery
  • BP-U60


    Lithium-ion Battery
  • BP-U90


    Lithium-ion battery (85 Wh)
  • BP-U60T


    Lithium-ion battery (56Wh) with power out terminal
  • LCS-G1BP


  • SELP28135G


    35mm full frame powered E-Mount zoom lens 28-135mm F4.0 OSS
  • LA-EA4


    35mm full-frame A-mount adapter
  • SAL24F20Z


    ZEISS Distagon T* 24mm F2 ZA SSM Prime lens
  • SAL35F14G


    G Series 35mm F1.4 G prime lens
  • SAL50F14Z


    ZEISS Planar T* 50mm F1.4 ZA SSM Prime lens
  • SAL85F14Z


    ZEISS Planar T* 85mm F1.4 ZA lens
  • SAL135F18Z


    ZEISS Sonnar T* 135mm F1.8 ZA zoom lens
  • SAL1635Z


    ZEISS Vario-Sonnar T* 16–35mm F2.8 ZA SSM zoom lens
  • SAL2470Z


    ZEISS Vario-Sonnar T* 24-70mm F2.8 ZA SSM zoom lens
  • SAL2875


    35mm full frame zoom lens 28–75mm F2.8 SAM
  • SAL70400G2


    70–400mm F4–5.6 G SSM II super telephoto zoom lens
  • SEL24F18Z


    ZEISS Sonnar T* E 24mm F1.8 ZA Prime lens
  • SEL35F28Z


    ZEISS Sonnar T* FE 35mm F2.8 ZA wide-angle Prime lens
  • SEL2470Z


    ZEISS Vario-Tessar T* FE 24–70mm F4 ZA OSS zoom lens
  • SEL2870


    35mm full frame E-mount zoom lens FE 28–70mm F3.5–5.6 OSS
  • SEL70200G


    35mm full frame E-mount telephoto zoom lens FE 70-200mm F4 G OSS
  • SELP1650


    APS-C E-mount powered zoom lens 16-50mm F3.5-5.6 OSS
  • SELP18105G


    APS-C E-mount powered zoom lens 18-105mm F4 G OSS
  • SELP18200


    APS-C E-mount powered zoom lens 18-200mm F3.5-6.3 OSS
  • SELP18110G


    E PZ 18-110mm F4 G OSS


    LED battery video light


    Upgrade software key to enable 4K / 2K RAW recording options on PXW-FS5


    Upgrade software key to enable MPEG HD recording options on PXW-X70 and PXW-FS5
  • RM-1BP


    LANC Remote Commander




    Multi-function Camcorder Shoulder Support
  • Catalyst Browse

    Catalyst Browse

    A powerful clip management tool for the latest portfolio of Sony cameras and decks.
  • Catalyst Prepare

    Catalyst Prepare

    The fast, simple, reliable path from camera to post.
  • Catalyst Edit

    Catalyst Edit

    Focused, fast cutting for 4K, RAW, and HD video
  • UWP-D11


    Belt-pack UWP-D wireless microphone package
  • UWP-D12


    UWP-D wireless microphone package with handheld transmitter
  • UWP-D16


    Belt-pack UWP-D wireless microphone package with XLR plug-on transmitter
  • SMAD-P3


    Multi Interface Shoe (MI Shoe) adaptor for cable-free connection
  • ECM-VG1


    Shotgun Electret condenser microphone
  • ECM-MS2


  • MDR-7506


    Stereo professional headphones
  • MDR-7510


    Studio professional headphones

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